Koncept in koreografija/Concept and Choreography: Christos Papadopoulos. 2000), Virginia Woolf (Valovi /The Waves/, 1993) and Selma Lagerloef (Sveti plamen /The Sacred Flame/, 1997) in the 2002 programme Leonardo portreti. Taking all of this into account it is hardly surprising that this performance persuaded the international jury at the Aerowaves network to support it. A new, insecure, sensitive, dreamlike story and landscape emerge within this space. This gives the viewers the opportunity to dive into the choreography with their personal stories, expectations, thoughts and emotions. In the same way as the individual body is unfinished and insecure in a number of ways, yet always dependent on its surroundings, the choreography of the choreomorph mass configurations laid out by the Greek choreographer Christos Papadopoulos is openly structured. It is defined by a pulsating, rhythmical repetition, which is always in some sort of a relationship with the larger organism: the multitude, the communities, with which it inevitably waves and slides into an unspecified open future. Her mother, Julia Duckworth Stephen, was a nurse, who published a book on nursing. Woolf was educated at home by her father, Sir Leslie Stephen, the author of the Dictionary of English Biography, and she read extensively. However, if we look from afar we could say that even life is dreamlike. Virginia Woolf was born Adeline Virginia Stephen on January 25, 1882, in London. Elvedon was created as a symbolic, surrealist and dreamlike transition in which happiness and fear, reasons and emotions, life and death merge until they can no longer be recognised. Elvedon is a fictive, magical and mythical space, an imagined non-place created by Virginia Woolf in her novel The Waves.
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